The Case for a Space Marketing Category at Cannes Lions

By Cathy Hackl, Contributor
Cannes, France - June 21, 2011: The Cannes Lions International Festival of Creativity, hosted by Ascential, is renowned for its Grand Prix Trophy Awards, held annually at the iconic Palais des Festivals. As we gather in this beautiful coastal city, it is essential to discuss an emerging frontier in marketing that has the potential to revolutionize the industry: space marketing.
Historically, the notion of a brand campaign extending into the cosmos may have seemed like a whimsical concept reserved for science fiction. However, as private spaceflight transitions from fantasy to a commercially viable reality, the domain of marketing is poised for an extraordinary leap into the final frontier. This evolution begs the question: Should Cannes Lions consider introducing a dedicated category for Space Marketing in future festivals? The resounding answer is yes.
Having followed the trajectory of emerging technologies for a substantial period, I have been intricately involved in the realm of space marketing. I often describe my experience as 'dabbling' in this exciting field, having covered various aspects—from the phenomenon of space tourism to experimental billboards in low Earth orbit, and even the prospect of space hotels.
A notable milestone in this narrative was achieved 25 years ago when Pizza Hut made history by delivering a Personal Pan pizza to the International Space Station, utilizing innovative oven-ready vacuum seal technology. My exploration of space marketing has also taken me to intriguing terrestrial venues such as MarsWorld in Las Vegas and submerged “space stations” like Fabien Cousteau’s Proteus, often referred to as the 'ISS of the Ocean.' Recently, I shared insights on the unique flavors of space and the future of food brands in space on the podcast Proof - America's Test Kitchen.
Chief Marketing Officers (CMOs) must remain visionary, keeping one eye on the evolving mechanisms of storytelling and the shifting landscapes of consumer engagement. Space marketing is increasingly at the forefront of this evolution. Over the past years, much discourse has centered around the rise of space marketing—an innovative practice that leverages orbital, suborbital, and lunar environments for brand storytelling, effective product placement, and immersive consumer experiences. In a 2020 article for Forbes, I elaborated on how space could emerge as the next great media frontier, exploring concepts ranging from branded payloads to sponsored lunar missions.
What was once a theoretical discussion is fast becoming a present-day opportunity. According to predictions from Morgan Stanley, the burgeoning space economy could soar to an impressive $1 trillion by the year 2040, and marketing will undoubtedly play a pivotal role in that growth.
Looking ahead, the upcoming Intuitive Machines IM-1 lunar mission, scheduled to launch in early 2024, will carry an array of payloads to the Moon, featuring commercial and brand tie-ins. Notably, Intuitive Machines has equipped its Nova-C lunar lander with Columbia’s Omni-Heat Infinity insulation, exemplifying how brands can participate in space missions.
Moreover, companies like Uplift Aerospace and Space Perspective are actively inviting brands to engage in near-space activations, offering immersive zero-gravity experiences and branded suborbital journeys. Some brands have already experimented with sending non-fungible tokens (NFTs) to space, conducting orbital product shoots, and creating lunar memorabilia that integrates into both physical and digital marketing campaigns.
Importantly, the landscape of space marketing is not limited to technology-focused enterprises. For instance, Hilton has recently become the official hotel partner for Voyager Space, collaborating on the interior design of Voyager’s free-flying space station. Similarly, fashion brand Prada has been selected to collaborate with Axiom Space to design spacesuits for NASA’s Artemis 3 mission, which is planned for 2026. Earlier this year, Nokia Bell Labs achieved a milestone by delivering the first cellular network to the Moon, and they will also facilitate high-speed communications for the next-generation Artemis 3 spacesuits. These pioneering companies are laying essential groundwork and infrastructure for upcoming space missions.
Cannes Lions has a rich history of evolving alongside the creative landscape. Over the past decade, the festival has introduced several new categories, such as the Glass Lion for Change, designed to honor marketing initiatives that challenge societal biases, and the Innovation Lions, which celebrate technology-driven marketing breakthroughs. Recently, the festival has also recognized the significance of the creator economy by introducing the Social & Influencer Lions. In this context, the inclusion of a Space Marketing category would be a natural progression in this ongoing evolution.
Space marketing encapsulates the essence of innovation, storytelling, and immersive experience design. It is already taking place, with brands actively engaging in the cosmos rather than merely observing from a distance. Estee Lauder, for instance, sent a skincare serum to the ISS for a unique product shoot, while Red Bull’s iconic Stratos jump remains one of the most memorable campaigns linked to space. Additionally, Lunar Outpost’s MAPP rover is set to explore brand partnerships as part of forthcoming NASA missions.
As I envision the potential for AI and augmented reality in this arena, it becomes clear that the creative possibilities are vast. However, one critical element is still missing: formal recognition. Establishing a dedicated Space Marketing category would not only acknowledge ambitious campaigns but also signal that space is no longer an inaccessible frontier for marketers. Instead, it would affirm that space is ripe for innovative storytelling and experiential marketing.
This category could encompass a diversity of topics, such as branded payloads, sponsored missions, and XR/AR experiences intricately linked to space environments. Additionally, it could feature space-themed content that fuses real orbital footage with mission data, creating rich multimedia narratives. Finally, campaigns that bridge Earth and space audiences through immersive storytelling could redefine consumer engagement in ways we have yet to fully realize.
As we witness rapid advancements in spatial computing, smart glasses, and generative AI, it is clear that space activations will be integral to how audiences experience brand narratives in mixed-reality environments. Space has historically inspired wonder, curiosity, and ambition—qualities that brands yearn to associate with. By participating in space marketing, brands align themselves with these values, thereby cultivating cultural capital that is unparalleled.
However, this moment in the space marketing arena is fleeting. Brands and agencies willing to invest in this innovative approach while it remains novel stand to shape the narrative long before space becomes merely another channel for media consumption. A dedicated category at Cannes Lions would significantly elevate the visibility of these pioneering efforts, helping to spotlight those early adopters who dare to explore this uncharted territory.
Creativity has always been about pushing boundaries and exhibiting the courage to transcend them. For decades, Cannes has celebrated those who venture to tell stories in innovative ways, utilizing new platforms and tools. As we transition into an era where the Moon becomes a medium and orbital spaces transform into opportunities, it is imperative for Cannes to elevate its perspective. The question is not whether space will emerge as a new storytelling platform; that reality is already unfolding. The pertinent question remains: will Cannes Lions seize the opportunity to honor this bold new frontier?